Title, Duration, Place, Year, Publisher, Dedicated to, Premiere (performer(s), place, date)
GERSHWINESCA, 12', Bayonne/Chatou, 2000, Schott, to Wayne Marshall, Wayne Marshall, RFH, London, 30.04.01
Naji Hakim wrote Gershwinesca to the English piano and organ virtuoso, Wayne Marshall. The rhapsodic piece pays a tribute from beyond the oceans to George Gershwin, by recalling, in a witty and humorous rondo form, several themes of the American great symphonic jazz composer.
Naji Hakim a composé Gershwinesca pour le pianiste et organiste virtuose, Wayne Marshall. La pièce, de conception rhapsodique, rend hommage à George Gershwin, en rappelant, dans un rondo spirituel et humouristique, différents thèmes du grand compositeur américain de jazz symphonique.
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Quotations in Naji Hakim's Gershwinesca from George Gershwin's works:
Note: The figures X/Y/Z correspond respectively to the page, bar, and system of the published score of Gershwinesca at Schott.
"Let’s Call the Whole Thing Off" (Shall We Dance, Chappell)
2/1/1 to 2/4/2; 5/3 to 6/2/2; 20/2/1 to 21/1/3; 23/1 to 23/4/3
"How Long Has This Been Going On?" (Rosalie, Chappell)
3/3/4 to 4/3/3; 4/4/4 to 5/2/1; 22/2/2 to 22/4/3
"Nice Work If You Can Get It" (A Damsel in Distress, Chappell)
4/3/4 to 4/4/2; 22/1/1
"I Got Rhythm" (Girl Crazy, Chappell)
7/1/3 to 8/1/2; 9/1/2 to 9/3/1; 10/2/3 to 12/1/2; 25/1 to 26/1/2;
26/3/1 to 26/4/2; 32/1 to 32/3/1
"Fascinating Rhythm" (Lady Be Good!, Chappell)
8/3 to 9/1/1; 26/1/3 to 26/2/2
"Someone to Watch Over Me" (Oh, Kay!, Chappell)
9/3/3 to 10/1/2; 19/3/1 to 19/3/2; 27/1 to 27/3/2
"Porgy and Bess" (Chappell)
"Swanee" (Capitol Revue, Chappell)
12/3 to 15/1/1; 28/1/2 to 31/1/1
"Bronco Busters" (Girl Crazy, Chappell)
15/3/3 to 18/1/3
"The Man I Love" (Chappell)
19/1/1 to 19/3/1
Concerto in F (Warner Bros. Publications Inc., copyright 1927–1942, New World Music Corporation)
19/1/2 to 19/2/4; 32/1/1 to 32/1/2; 32/3/2 to 33/1
"Bidin’ My Time" (Girl Crazy, Chappell)
19/3/3 to 20/1/1
"An American in Paris" (Harms Inc. NY or Salabert)
15/2/3; 19/3/3 to 20/1/3; 33/2/3 to 33/3/2
"Rhapsody in Blue" (Salabert)
1/1/1; 10/1/3; 28/1/1
"They Can’t Take That Away from Me" (Shall We Dance?, Chappell)
31/2/2 to 31/3/2